Six years ago, I wrote about how facility with electronic discovery allows small litigation firms to have David v. Goliath results against large firms. https://www.spillaneplc.com/advances-in-e-discovery-allow-smaller-firms-to-successfully-litigate-cases-once-only-handled-by-their-larger-counterparts/ In 2021, if you or your team have not mastered discovery of electronically stored information (“ESI”), you are not in the game.
Here are some tips for bringing your electronic discovery skills up to date.
- Consult with your technologist on production demands. Parties may specify the way they want ESI produced. Cal. Civ. Proc. Code § 2031.030(a)(2); FRCP Rule 34(b)(1)(C). Share your draft production requests with your technologist, or better yet, have a stock paragraph in your form file.
Most business cases settle prior to trial. For this reason, the near exclusive opportunity to examine witnesses occurs during pretrial depositions. This is a procedure whereby witnesses who may testify at trial can be required beforehand to answer questions under oath. Previously these were held in a law firm conference room; often now they occur as a videoconference. No judge or jury is present
I think when a pretrial deposition is the only available opportunity to examine witnesses for most lawyers, the process is overused. Too many depositions are taken. Too many questions are asked. Too many documents introduced.
There are just a few key objectives in pretrial depositions: 1) find out the witnesses’ answers to the toughest questions, where those answers cannot be known in advance; 2) elicit admissions that can be used in a pretrial motion or as a soundbite at trial; and 3) authenticate how the witness communicated, including emails, text, electronic messages, and social media. read more
Scarlett Johansson, who has repeatedly played Marvel’s Avenger character “Black Widow,” has sued Disney for breaching the promise in her contract to play in its new film, entitled “Black Widow,” that Disney would give the film a “wide theatrical release.” Johansson was promised generous box office bonuses. Instead, Disney released the film simultaneously in theaters and on its new streaming subscription service, Disney+.
The advent of studio-owned streaming opens a new front in a long history of litigation between talent and studios over how entertainment revenues are shared, particularly where the sharing is impacted by new technology and “vertical integration,” consolidation within major corporations of the means of bringing entertainment to consumers. read more
Resolving civil disputes in court used to involve a regular series of trips to tall office buildings and courthouses where we all sat close and breathed on one another to take depositions, mediate disputes, appear at hearings and try cases. Now that we are kicked out of the buildings, must the dispute resolution process grind to a halt? No, while the “jury is out” on the the conduct of jury trials, much of what we do other than jury trials can be Zoom-ized.
Here is my report card on resolving civil disputes from one’s living room: “Zoomigation.”
Mediations: A. In nearly all civil business disputes parties are ordered to attend mediation, a half-day or day devoted to settlement. read more
The legal news wires are “rocking” with headlines in music copyright infringement cases. The Ninth Circuit, sitting en banc, found for Led Zeppelin in the “Stairway to Heaven” litigation and euthanized the “inverse ratio rule.” In a connected world of nearly universal access to copyrighted works, a plaintiff must show real plagiarism, not merely plausible similarities.
Soon thereafter Judge Snyder threw out the jury’s verdict that Katy Perry’s “Dark Horse” copied a bass ostinato from Christian rapper Flame’s “Joyful Noise.”
For copyright lawyers this news creates the sort of excitement that NFL fans experience over a tie in the last two minutes of the Super Bowl. read more